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Play Time: 1:30 - 2:10
Unique Accidentals: 3-4
Unique Chords: > 10
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Baroque
Gavotte in C majore
pepacechticky1
1:36 Est. Play
Time
26 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 19 51 4 3 100%
Bass 15 0 3 3 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 19 51 4 3 100%
Bass 15 0 3 3 100%
Violin
1		 Treble 14 0 4 3 100%
Violin
2		 Treble 13 0 3 3 100%
Violin
3		 Treble 9 0 1 3 100%
Violoncello Bass 15 0 3 3 100%
 
Bach: "Wie schoen leuchtet der Morgenstern" (1725)
SpaceGuru5
1:44 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 11 0 0 4 100%
Bass 13 0 2 3 100%
View all 17 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 11 0 0 4 100%
Bass 13 0 2 3 100%
Bass 9 0 0 3 100%
B♭
Trumpet		 Treble 12 5 0 2 100%
Treble 9 2 1 4 100%
Horn
in
F		 Treble 9 0 0 5 100%
Treble 9 2 1 4 100%
Alto
Saxophone		 Treble 9 2 1 4 100%
B♭
Clarinet		 Treble 12 5 0 2 100%
Baritone
Saxophone		 Treble 12 0 2 3 100%
Flute Treble 12 5 0 2 100%
Pipe
Organ		 Bass 13 0 2 3 100%
Soprano
Instruments Alto
Instruments		 Treble 12 2 1 4 100%
Tenor
Instruments Bass
Instruments		 Bass 24 12 3 5 100%
Tenor
Saxophone		 Treble 9 0 0 5 100%
Trombone Bass 12 0 2 3 100%
Tuba Bass 12 0 2 3 100%
 
"Pastoral Symphony" (HWV 56 No. 13) for Harp
Mike Magatagan
2:02 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 17 17 5 7 100%
Bass 21 12 4 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 17 17 5 7 100%
Bass 21 12 4 6 100%
 
HWV1A1 - Leset ihr funkelnden Augen
edward.maurath
1:51 Est. Play
Time
42 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 15 23 4 4 86%
Bass 22 28 4 2 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 15 23 4 4 86%
Bass 22 28 4 2 100%
Bassoon Continuo Bass 19 0 4 2 62%
Bass 14 1 2 2 57%
Bass
as Consalvo		 Bass 13 1 4 4 60%
Violin
1		 Treble 12 0 0 4 57%
Violin
2		 Treble 12 0 2 2 57%
Violoncello Continuoi Bass 14 1 2 2 57%
 
HWV1 - So ben che regnante più degna di te - g minor
edward.maurath
1:56 Est. Play
Time
54 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 26 6 5 100%
Bass 18 15 4 5 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 26 6 5 100%
Bass 18 15 4 5 100%
Contrabass Continuo Bass 17 0 4 5 100%
Violoncello Continuo Bass 17 0 4 5 100%
Tenor
as Fernando		 15 0 5 5 67%
 
HWV8A1N9a - "Di goder il bel ch'adoro" (F Major for Dorinda)
edward.maurath
1:48 Est. Play
Time
39 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 23 19 2 6 100%
Treble 22 21 4 6 87%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 23 19 2 6 100%
Treble 22 21 4 6 87%
Violin
1		 Treble 14 0 1 6 92%
Violin
2		 Treble 15 0 1 7 92%
Violoncello Bass 15 0 2 5 79%
Dorinda 11 0 2 6 77%
Contrabasses Bass 13 0 2 4 64%
Violoncellos Bass 13 0 2 4 64%
 
HWV1A1 - Leset ihr funkelnden Augen
edward.maurath
1:51 Est. Play
Time
42 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 15 23 4 4 86%
Bass 22 28 4 2 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 15 23 4 4 86%
Bass 22 28 4 2 100%
Bassoon Continuo Bass 19 0 4 2 62%
Bass 14 1 2 2 57%
Bass
as Consalvo		 Bass 13 0 4 4 60%
Violin
1		 Treble 12 0 0 4 57%
Violin
2		 Treble 12 0 2 2 57%
Violoncello Continuoi Bass 14 1 2 2 57%
 
HWV61A3N57 - To Power Immortal
edward.maurath
1:40 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 14 39 4 5 100%
Bass 17 48 5 5 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 14 39 4 5 100%
Bass 17 48 5 5 100%
Strings Treble 23 70 8 6 100%
Violoncello Bass 14 0 2 5 100%
Violone Bass 12 0 2 5 100%
GOBRIAS Bass 14 0 4 6 93%
 
HWV8A1N4 - "Son di Mirtillo!" recitativo secco
edward.maurath
1:47 Est. Play
Time
28 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B.c. Bass 12 0 4 4 100%
Amarilli 14 0 4 5 68%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B.c. Bass 12 0 4 4 100%
Amarilli 14 0 4 5 68%
Mirtillo 10 0 3 3 50%
Hpsi Treble 14 17 4 2 46%
Bass 9 5 2 4 46%
Harp Treble 14 12 4 1 43%
Bass 12 10 3 2 43%
Theorbo Bass 12 6 5 2 21%
Lute Treble 13 10 4 3 18%
 
HWV8A1N9b - Tenor Aria for Sivio "Di goder il bel ch'adoro"
edward.maurath
1:48 Est. Play
Time
39 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 24 20 4 5 100%
Bass 16 7 2 6 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 24 20 4 5 100%
Bass 16 7 2 6 100%
Violin
1		 Treble 10 0 1 6 92%
Violin
2		 Treble 15 0 1 7 92%
Violoncello Bass 15 0 2 5 79%
Silvio 11 0 2 6 77%
Contrabasses Bass 14 0 2 4 69%
Violoncellos Bass 14 0 2 4 69%
 
Handel: La March - D Major
edward.maurath
1:54 Est. Play
Time
57 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Lute Treble 13 15 2 3 93%
Bass 17 32 3 5 100%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Lute Treble 13 15 2 3 93%
Bass 17 32 3 5 100%
Bassoon Bass 12 3 2 5 100%
BSN Bass 15 2 1 5 100%
Kontrebaß Bass 15 0 1 5 100%
Oboe
1		 Treble 12 0 1 5 100%
Oboe
2		 Treble 13 2 3 5 100%
Vcl Bass 15 0 1 5 100%
Vla 12 3 2 5 100%
Vln Treble 15 39 3 5 100%
Trumpet
at concert
pitch		 Treble 12 1 1 5 75%
 
Handel: Almira, "Wer umb Geld und Hoheit willen," (Consalvo)
edward.maurath
1:59 Est. Play
Time
21 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 17 41 4 4 100%
Bass 19 0 3 4 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 17 41 4 4 100%
Bass 19 0 3 4 100%
Continuo Bass 19 0 3 4 100%
Consalvo Bass 16 0 4 4 76%
 
Dal mio cenno si venaumiliata (1730) HWV 17 "Giulio Cesare"
edward.maurath
2:03 Est. Play
Time
42 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 22 18 4 5 100%
Bass 20 0 5 4 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 22 18 4 5 100%
Bass 20 0 5 4 100%
Violoncello Bass 20 0 5 4 100%
Tolomeo 14 0 3 5 76%
Violini Treble 21 0 3 3 74%
Violoncellos Bass 14 0 2 3 71%
Violone Bass 14 0 2 3 71%
 
HWV 8-B Terpsicore GIGUE
edward.maurath
2:01 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 25 3 8 100%
Bass 11 1 1 6 96%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 25 3 8 100%
Bass 11 1 1 6 96%
Violas 11 0 1 6 100%
Violins
1		 Treble 17 0 1 7 100%
Violins
2		 Treble 14 0 3 7 100%
Continuo Bass 11 0 1 6 96%
Contrabass Bass 11 0 1 6 96%
 
HWV17a2n06y1724-Deh piangete, oh mesti lumi from "Giulio Cesare in Egitto"
edward.maurath
1:56 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 20 36 4 7 100%
Bass 21 31 4 7 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 20 36 4 7 100%
Bass 21 31 4 7 100%
Harpsichord Treble 20 36 4 7 100%
Bass 21 31 4 7 100%
Continuo Bass 19 0 3 7 100%
Cornelia 12 0 3 5 78%
 
HWV56N46 - Since by man came death
edward.maurath
1:45 Est. Play
Time
39 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alti 9 0 2 5 92%
Bassi Bass 15 0 3 5 92%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alti 9 0 2 5 92%
Bassi Bass 15 0 3 5 92%
Soprani Treble 12 0 3 5 92%
Tenori 10 0 1 5 92%
Organ Treble 17 56 4 4 69%
Bass 14 18 3 4 69%
Cello Continuo Bass 16 0 2 4 67%
Contrabass Bass 16 0 2 4 64%
Viola 13 0 1 4 64%
Violin
I		 Treble 13 0 3 4 64%
Violin
II		 Treble 13 0 2 4 64%